by Silviu “Silview” Costinescu_ Buy Me a Coffee at ko-fi.com

According to the reputed truth-gods of Fb, Gates and WHO and the other Event 201 attendees spewed Rona conspiracies in a video they made in October last year, which implies pre-science and vindicates the people calling covid a “plandem1c”


Many revere and admire the elites for their grandiose plan to enslave the whole humanity, but in fact all their plan is dumb AF from its fundamentals down to its executives, and this is just one of the many evidences.
I mean you want to control the world but you can’t even automate censorship on Internet and you end up shooting yourself in the both knees relentlessly? Imagine a fanfare of clowns with megalomaniac delusions, applauded by a congregation of geese. Covidiocracy is destined to cannibalise itself, starting with its propaganda machine, see the SJW/cancel culture.

I made this post very visual and simple so fact-checkers can understand it:
They targeted us but it’s their people’s video and it’s made last year. We work mainly with their sources precisely because they’re dumb and predictable and we knew we’ll have to deflect back these BS attacks when they occur. And they fell right into it as soon as they could. They’re a buncha morons with too much money and too many toys.

Basically, Facebook and a host of its “fact-checkers” such as USA Today, Factcheck.org and more, have claimed that one of our latest video uploads “repeats information identified by independent fact-checkers [themselves] as false”.

Thing is we’re not the authors of the content, we just mirrored (reuploaded) a video from Johns Hopkins, untouched, we’re just platforming these people, Facebook told us they’re good credible people :D.

Original source, pls watch all their videos, preferably the mirrors on our channel so we can benefit, not these conspiracy theorists! πŸ˜‰



So the authors of the missinformation in the video are, among others:
WHO
Bill & Melinda Gates Foundation
World Bank
World Economic Forum
Johns Hopkins
Lufthansa
and many more

Bonus: the video has actually NOTHING, ZERO, 0 to do with the BS fact-checkers are munching there, it’s not about the man-made origins of the virus or anything like that.
Remember:

It doesn’t matter what Facebook says

Silviu “Silview” Costinescu
I think Facebook’s combat style is called Fact-Fu


I don’t know it but I bet factcheck.org took money from Gates to label him as a conspiracy head.

Please watch and share our Facebook upload, if not to raise awareness, at least just to piss off these douchebags!

First hour of the simulation is already on our Bitchute, Youtube, we have a BrandNewTube channel too now. All full of “conspiracies”.

At least good thing Facebook and its “independent fact-checkers” are not mere narrative-enforcers and smear-machines πŸ˜€

And if you got to here, you also need to read:

DIY: HOW TO EASILY PROVE FACEBOOK STEALS MONEY BY FAKING REPORTS

JOIN THE PEOPLE FOR FAUCI FASHION NOW! [UPDATED]

[EXCLUSIVE] FINAL EVIDENCE COVID-19 IS A β€˜SIMEX’ – PLANNED SIMULATION EXERCISE BY WHO AND WORLD BANK

Our current Facebook cover

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! Articles can always be subject of later editing as a way of perfecting them

by Silviu “Silview” Costinescu_ Buy Me a Coffee at ko-fi.com

Ladies and gents, I’m premiering a new show and SILVIEW.media 2.0
Huge production effort, considering the modest tech I can afford, almost gave up a couple of times, but here we are, worth it if you like it!
Self-explanatory material, all I need is to remind you that it’s starving for your love, don’t forget to give it a like and a share if you do enjoy it  
Ah, well, also worth mentioning it’s made for phones, if you’re using one right now, keep it vertical and play full screen and full volume for full effect.
It’s as fun as it’s serious, hope it makes your day a tad better!

And in case they take it down, we already have a back-up on Bitchute πŸ˜‰

Thanks these video sources
Every Damn Day Fitness
ReviewTechUSA
Mr. Cheswick
and the legendary dude that outed the MSNBC dirtbags! Hero!

The rest are a buncha a-holes I can’t care about more than they do about me

Original Music:
Theme song: Alien Pimp – Burning Masks – soon to be released
Alien Pimp – Fauci Fashion

We are funded solely by our most generous readers and we want to keep this way. Help SILVIEW.media deliver more, better, faster, please donate here, anything helps. Thank you!

by Silviu Costinescu

Censorship is what happens when people with greater powers than others go from saying “I hate this speech!” to factually suppressing that speech.
Censorship IS hate speech enacted. Institutionally.
Institutional hate that breeds more hate.
And institutions follow an agenda. So there is a hate agenda.


Censorship has never protected anyone from hate. If only hate was just about speech!
Censorship actually exacerbates hate through frustration. Most ideologically motivated mass shooters were deeply frustrated that their message was suppressed, and they killed people as a way to make themselves heard, among others.

In establishment’s propaganda, “hate speech” has become speech hated by the powers that be. Stalin and all communist dictators were branding any opponent “enemy of the people” and any dissenting speech as “subversive”. Replace that with the more contemporary “conspiracy theorist / terrorist” and “hate speech” and see if it reminds you of anyone.

Censorship means we are paying people to take away our speech and our vision. Collectively, censorship doesn’t happen TO us from an entirely external source. Censorship happens usually when a society abandons itself and the fight for freedom because it’s been bought up with more comfort or, more often, promise of comfort. And, eventually, that comfort always proves to be less preferable to the comfort of liberty.

So censorship doesn’t really protect the people, but, in almost every instance, it has protected powerful and corrupt people from truth. Even the hate that it breeds fits a control agenda, because it’s divisive and it distracts us from lies, corruption and systemic failures. It robs us of messages of love and help from other people, when they go against the censor’s agenda .
It’s just another typical situation of problem sold as a solution to itself. Logical hocus-pocus. That’s why they don’t properly teach logic in schools.

There is no way in which censorship can be beneficial, neither to the censored OR the censor. The latter always ends up suffering a form of strong backlash, because the energies it tries to suppress always find a way through, energy doesn’t disappear, doesn’t stay locked forever, it always transforms and manifests.

There’s no way censorship works for us, but there’s a million ways it can go against us.

Fight censorship simply by not participating in it and not collaborating with censors!



If you enjoy any of my work, remember that most of what I do is made freely available to the general public and I rely on your support for keeping it that way, so buy me a coffee if you feel like it, thank you!

! My articles can always be subject of later editing as a way of perfecting them

by Silviu Costinescu

A version of this article was originally published on my arts and music blog on Synkretic Network, but since the issue and the angle here are much broader than music, reaching into free speech and economy, I think it has a place on this page too.

How many social protest songs have you seen in the charts this last decade? What does that mean?

There’s a new generation now that hasn’t really experienced the great raw energy of a large mass of people united in chanting a chorus that expresses protest and discontent towards the establishment. “F You, I won’t do what you tell me!” has been replaced with “F you, I will do what this other establishment shill tells me!”. I’m an artist and a promoter in my 40’s and I contemplate the strong possibility that I will never again witness something like the early Rage Against The Machine, or even Lenon’s “Imagine”, becoming largely popular. Social lyricism in hip-hop is in a coma too. And this is how we got here:

Streaming services demonetized protesters

Internet and streaming services are being used to take away underground’s income sources and self-sustainability. You keep hearing Spotify or Soundcloud are not profitable and you keep wondering how do they survive then? They’ll always find financing, because they deliver all the music to the audiences without making the artists’ lives self-sustainable. Sales are a joke now. This way, independent artists become starving artists, and it’s legal, unlike piracy.
Only selected (or fabricated) establishment minions are allowed to thrive. That means only establishment’s messages get through. To the people running the show, this is worth much more money than it costs! A perfect assassination of artistic integrity and social protest. If you hear anything, it’s sponsored. The 2019 RATM, if they re-unite as rumored, won’t be anything like the early RATM because now they need Google and Twitter and Vice and corporate festivals on their side to succeed, not the other way around. The tables have been switched under our noses while we were getting high on Facebook likes.

Of course this new paradigm generated some independent success stories, but what do they all have in common? They fall in line with what’s acceptable for the establishment. And when you zoom out and look at the big picture, which includes all artists, what do you see? I see a huge mass of talented yet starving artists and a bunch of lottery winners, a few new happy faces in the media every year keep the scam going. The middle class in music is dead too.

Social media hijacked the audiences

“Bring your fans aboard so we can disconnect them from you and connect them to our establishment-sponsored BS!”. This has been the plan from the beginning for the mainstream social media. They weren’t here to help artists, unsurprisingly. They’ve just used artists and popular figures to attract the masses and fill up their boat, and then they sailed their own course. Only 5% of your Facebook artist page subscribers see your posts now, but I bet they all are exposed to a ton of Coca Cola, CNN or The Guardian posts even without subscribing to those pages. Perfect heist!

How do we bounce back?

I’ll get massive hate from corporate slaves for saying this, but there’s only one way I can think of and I’m already working on what I preach:

More direct contact with more implication and mutual support from both sides: artists and audiences. If we don’t act now, tomorrow might be harder or even too late.

What does that, technically, mean? Cut off the gatekeepers and middlemen as much as possible, stay in touch directly, support each other directly. This is coming from a guy who partly works as a middleman too; but only because there’s still a need for that, I’ll be happy to focus 100% on my own art when I’m not meeting any needs anymore!  It’s not more simple or more complicated than building and maintaining a little dedicated fanbase without letting it get leached and drained out by gatekeepers and middlemen. That means you can’t use their tools, you have to circumvent them. So now’s the best time to get creative, I await your ideas while I work on mine!

It breaks down to:
Artists need to invest more in their direct contact with the fans than in traditional marketing and media plans. Time to get personal, the industry and corporate media are not doing the job of putting us in touch anymore, they only disconnect us. I spent a good bunch of time and money to create a social network just so that artists and fans of all sorts can freely talk and support each other directly, without interference. I’ll create more tools and options for that, but Synkretic Network already offers all the tools you need for this purpose at no cost. Maybe it’s time to populate it. Or start your own.

Fans need to invest more in the artists that make their lives better, and do it more directly. If you buy an $1 song from Apple or Amazon, there’s at least 3-4 entities that will snatch 50-75% of that money before the artist has a chance to see his share. If you see a donation button, chances are that the artist will be able to spend about 80-90% of the sum you send, so drop your dollar there instead of iTunes and such. Avoid rips and leaches. If you don’t have money to spend, please help spread awareness, it’s just as helpful.  Or help the artists get booked in your city. Just re-invest back in the scene some of the good energy you’re getting from your favorite artists and we’ll be cool again! Only if you want and find it necessary to have a healthy artistic life, for yourself and the whole society as well.

As a personal example, the last couple of years I started to make most of my work, past and present, available for free, because art shouldn’t be for sale in the first place, this is how the whole problem started. Art thrives from honest crowd support. Low sales don’t mean people don’t care about artists anymore, it’s just that they’ve been reprogrammed to care differently and they lost the habit of paying; older folks aren’t aware that paying for listening music is a strange concept to most teenagers in 2019.
I know I’ll get even less donations than sales for a while, but I’ll receive double or triple the percentage and they’ll be available instantly, not 5-6 months later, as per usual with the industry. Also fans can’t ever feel cheated as they conveniently donate whatever they can afford, whenever they can afford it, typically after enjoying artist’s work; and their conscience is the only one to arbiter how much they should invest in this. Win-win situation, that’s what alien pimping is about! Use your money and shares wisely, my friends!

Hopefully I’ll also do a good job at persuading people they need to act as soon as yesterday, and dropping a coin in our digital hats when available can make a difference; so can a few good clicks. I’m becoming a digital busker, as I’ve said before, since I don’t have what it takes to be a good street busker. It’s yet way too early to say how it will work, but I doubt there’s any other way out of this swamp.

So here’s my digital busker hat, I’m already working to thank you: DONATE 
I mean, for consistence, besides other projects, I already have my next protest song in the works, it will be available for free download as soon as possible, whether you drop me a coin or not.

UPDATE + CLOSURE:

from Daily Bonnet

It took about half a year for life to deliver a final closure to this case.
“In response to the outrageous ticket prices a new activist group has emerged called Rage Against Rage Against the Machine”, jokes the satirical site Daily Bonnet, after they found out that the ticket prices for the new 2020 RATM tour are soaring from $190 way up.

THE END

We are funded solely by our most generous readers and we want to keep this way. Help SILVIEW.media deliver more, better, faster, please donate here, anything helps. Thank you!

! Articles can always be subject of later editing as a way of perfecting them